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The most widely used and respected text in its field, Writing Fiction, 7e guides the novice story writer from first inspiration to final revision. A bestseller through six editions, Writing Fiction by novelists Janet Burroway and Elizabeth Stuckey-French explores the elements of fiction, providing practical writing techniques and concrete examples. Written in a tone that i The most widely used and respected text in its field, Writing Fiction, 7e guides the novice story writer from first inspiration to final revision.

A bestseller through six editions, Writing Fiction by novelists Janet Burroway and Elizabeth Stuckey-French explores the elements of fiction, providing practical writing techniques and concrete examples. Usb Pnp Sound Device Download Chip. Written in a tone that is personal and non-prescriptive, the text encourages students to develop proficiency through each step of the writing process, offering an abundance of exercises designed to spur writing and creativity. The text also integrates diverse, contemporary short stories in every chapter in the belief that the reading of inspiring fiction goes hand-in-hand with the writing of fresh and exciting stories. Excellent, with some quibbles-- Used by creative writing programs all over the U.S., this book pretty much covers everything about the craft.

The contemporary short stories at the end of each chapter were really good, especially starting from Chapter 4 with 'Mule Killers' by Lydia Peelle. The main focus of the book is literary fiction and is admittedly biased against genre fiction with a convincing reason: 'whereas writing literary fiction can teach you how to write good genre fiction, writing gen Excellent, with some quibbles-- Used by creative writing programs all over the U.S., this book pretty much covers everything about the craft. The contemporary short stories at the end of each chapter were really good, especially starting from Chapter 4 with 'Mule Killers' by Lydia Peelle.

The main focus of the book is literary fiction and is admittedly biased against genre fiction with a convincing reason: 'whereas writing literary fiction can teach you how to write good genre fiction, writing genre fiction does not teach you how to write good literary fiction.' She further draws a comparison between realism and drawing of still life in painting, which analogy I found to be pretty compelling. There are limitations to the book, however. First, there are other books that cover certain topics much more in depth, such as characterization (see Swain's Techniques of the Selling Writer), point of view (see Orson Scott Card's Characters and Viewpoint), description (Monica Wood's Description), story and structure (James Scott Bell's Plot & Structure and Donald Maass's books), revision ( Self-Editing for Fiction Writers), etc. Also, the students are left to find all the topics implemented in the short stories at the end of each chapter, and yet it's sometimes difficult to pinpoint why exactly those stories were selected. Some guidance on how those stories used the techniques discussed could have been beneficial. There are other shortcomings.